The Cambridge History of English and American Literature in 18 Volumes (190721).
VOLUME XVI. Early National Literature, Part II; Later National Literature, Part I.
V. Dialect Writers.
§ 9. His Philosophy, Language, and Character.
|After all, however, the language of Uncle Remus is more interesting than his philosophy. In the picturesqueness of his phrases, in the unexpectedness of his comparisons, in the variety of his figures of speech, in the perfect harmony between the thing said and the way of saying it, the reader finds not only a keen æsthetic delight but even an intellectual satisfaction. It is probable that Uncle Remuss vocabulary would be found, on investigation, to be narrowly limited. If so, he is a striking evidence of the varied effects that can be produced with but few words provided these words have been thoroughly assimilated. He leaves the impression not of weakness but of strength, not of contractedness but of freedom. What he says has not only been thought through but seen through and felt through.
| It is only after repeated readings that one realizes how completely the character of Uncle Remus is revealed, or rather how completely he is made to reveal himself. There are not many subjects within his range, or beyond it, on which he has not somewhere registered an interesting opinion. If animals are his specialty, he is none the less willing to comment on negroes before and after the war, his favourite dishes, revivals, courtship, Christmas, witches, and religion. These are some of the elemental things about which his thoughts play and through which we come at last to know him and to revere him. Nowhere in American literature has an author succeeded better in harmonizing a typical character with an individual character than has been done in the character of Uncle Remus. What James Fenimore Cooper did for the Indian, Harris has in fact done for the negro. Just as Chingachgook is the last of the Mohicans, so Uncle Remus is the last of the old-time negroes. In literature he is also the first.